I would describe my role at English Heritage as a purveyor of mirth, delivering fun experiences for visitors. I first got into fooling at university. I trained as a physical theatre performer and so clowning and silliness went hand in hand. I started commentating at various special events for English Heritage and the events team thought that I had a flair for silliness, so I started to train specifically as a fool under the expert tutelage of master fool Peet Cooper, who performs as Peterkin.
The difference between fools and jesters is that jesters are somewhat professional, they have set skills and journey from town to town. A fool is a calling – rather like a priest. People first started performing as fools way back when powerful leaders preferred to be surrounded by plain-speaking mirth-makers. We know Chinese Emperor Qin kept a fool as there’s a model of one in his terracotta army. By the 17th century, however, fools started setting up their own troupes, performing wherever there was money to be made.
The popularity of fools peaked during the Middle Ages, when fools were part of the royal court. Notable fools include Henry VIII’s fool, Will Sommer, who seemed to stand the test of time. He also enjoyed success with Henry’s son Edward, as well as Mary and Elizabeth I. Roland le Peteur (Roland the Farter) was a popular performer in the court of Henry II. Robert Armin started to bridge the gap between what we would consider a medieval fool and a modern (Elizabethan) performer, serving both the court and the wider populace. When the theatre became popular, fools, jesters or jongleurs started performing on the stage, which marked the end of the era of the resident fool.
I would describe my act as an amalgamation of the ‘natural fool’ of the medieval period and the jester of the Elizabethan period, with a pinch of the Victorian music hall artist. Sometimes the jests of the medieval fool lose their lustre and appeal, while the perceived wit of the stand-up comedian is more attractive to our modern sentiments. So I have to try to entertain visitors with a range of different styles, with more than a healthy nod to the foolish pioneers of the medieval world.
The highlights of my shows (if there are such things) would be the mania on stilts, the danger of a catapult and foolishness with fire. To find out what that actually means, you’ll need to come and see me perform. Don’t worry if you can’t make one of my shows, as there is a tiny army of us fools performing at English Heritage sites across the length and breadth of the country.
The best thing about performing to English Heritage crowds is togetherness, acceptance and playfulness. Any visitors coming to our events for the first time should expect not merely to watch a silly show but perhaps also be ready to be involved. After all, stultorum plena sunt omnia (fools are everywhere).
Book tickets today
Here's where you can see Tom Fool this summer:
- 29–30 July, Legendary Joust at Eltham Palace and Gardens, London
- 5–6 August, Knights' Tournament at Tynemouth Priory and Castle, Tyne and Wear
- 8–10 August, Legendary Joust at Scarborough Castle, North Yorkshire
- 22–24 August, Legendary Joust at Carisbrooke Castle, Isle of Wight
- 26–28 August, Knights' Tournament at Kenilworth Castle and Elizabethan Garden, Warwickshire
Tom Fool's Fool School
Find out some top fooling hints and tips with Tom in his very own Fool School! Whether you're planning to go and see him this summer or not, you can find out what it takes be a top-class fool. Who knows, you may even learn some new skills and tricks!
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